Alesis QS8.1 Bedienungsanleitung Seite 47

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Seitenansicht 46
Part 4: Basic Operation
44 QS7.1/QS8.1 Reference Manual
The factory default setting is 65, which gives an even scaling that favors neither
loud nor soft playing. You will need to experiment with this parameter to find
exactly the right adjustment for your own “touch.”
PAGE 5 — TRANSPOSE
This is the same Transpose setting you were introduced to in Part 3: First Session.
The only difference is that in Global Edit Mode you make changes using the
standard [EDIT VALUE] slider and [VALUE] buttons, not by pressing keys on the
keyboard.
The transposition range is from –12 to 12, which is the same as moving down or up by
semitones over a two-octave range. It works by changing the MIDI Note Numbers
assigned to the keyboard, thus changing the note data sent out from your QS when
you play.
So, if you want to play notes that are outside the QS’s normal 61-note range (MIDI
Note Numbers 36-96), then by all means transpose! Taken down an octave, the
keyboard’s range becomes MIDI Note Numbers 24-84; taken up an octave, it covers
MIDI Note Numbers 48-108.
This is very useful knowledge if you are using your QS to play music into a
sequencer, since this parameter gives you two extra octaves of keyboard recording
range.
PAGE 6 — KEYBOARD MODE
There are three possible keyboard modes. Which one you want to use will depend on
how you are using your QS:
NORMAL is the default setting. When NORMAL is selected, Program Mode
receives and transmits over the MIDI channel indicated in the display. In Mix
Mode, MIDI information is received over all active MIDI channels, but sent only
from those displayed channels that have had MIDI OUT enabled. The MIDI
Channel indicators in the lower line of the display will show which channels are
active at any given time.
CH SOLO changes the way the keyboard handles MIDI in Mix Mode (it has no
effect on Program Mode). The simplest way to describe what it does is to say that it
isolates individual channels in a Mix, allowing you to play only the selected
channel (indicated by a flashing number in the display) from the keyboard, while
ignoring all the Programs assigned to other channels. This is a great way, for
example, to individually check out the different Programs that are in a layered
Mix. And since CH SOLO has no effect on incoming MIDI data, it’s a great mode for
sequencing. You can just move through your multi-timbral Mix one channel at a time,
recording on single channels as you go while always hearing playback on
everything that you’ve already laid down. (If you’ve selected CH SOLO, the
[ PAGE] and [PAGE ] buttons are what you’d use in Mix Mode to hear each
channel in turn.) When using CH SOLO, make sure you turn off your sequencer’s
ECHO function (sometimes called SOFT THRU or THRU). More about this sort of
thing in Part 5: MIDI.
Note: This mode is automatically selected by the QS when the General MIDI
function is set to ON.
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